Kurosawa’s ‘uplifting’ film about poverty and Chernobyl are on the viewing roster of the Avenue 5 creator, who calls on the UK government to prioritise the arts sector
I’m at home with my wife, children and dogs. We’ve drifted into a communal understanding of watching something chewy, like Chernobyl, then Gogglebox. It ends with us doing impressions in very bad taste of Craig Cash: “In Kiev, there’s been an explosion in reactor four …” We’ve reached the gallows humour that I expect every family has reached as we hit week 13 of lockdown.
For some reason, Cats turned up unannounced on our Sky box. I’ve never been a party to that school of: it’s so bad, it’s good. But everything in Cats is so bad, from the scripts to the effects, we’ve had to restrict ourselves to five minutes a night, just to prolong the exquisite agony.
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