Jamie Foxx stars as a music teacher transported to the afterlife in Pixar’s spirit-world fable, which is a joy from beginning to end
Over the years, animation studio Pixar have patented and perfected a particular type of film: bittersweet life lessons of intense depth and emotion, wrapped up in super-slick, cutie-pie visuals. In among the more obviously kid-oriented Toy Stories and Cars, this strand of Pixar’s output has originated a string of sensational classics: Wall-E, Up, Inside Out.
Well, Soul sees Pixar hitting another one out the park – and it’s perhaps unsurprising that it has Up and Inside Out director Pete Docter’s name at the top, as director and co-writer. (Another of the writers, One Night in Miami’s Kemp Powers, gets a co-director credit.) In broad terms, Soul appears to be a hybrid of Inside Out, with its literal rendering of internal psychological constructs, and Coco, the more traditional-looking afterlife yarn. What Pixar have come up with is a hypermodern spirit-world fable that also looks back to classical anchoring values with a touch of hippy-era mysticism: music, art, self-expression, rites of passage.
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