Nora Ephron’s world maybe narrowly middle class and privileged, but in this romcom classic she beautifully balances melancholy with fizzing optimism
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I love a romcom. Place me in front of a Richard Curtis film for the 100th time and I am more than happy. Teach me how to Forget Sarah Marshall, Lose a Guy in 10 Days or just be a girl, in front of a boy, asking him to love her and I’m sold.
But here’s the rub. I’ve never seen a Nora Ephron movie. Well, none of the classics; the troika of American romcoms that set the template producers have followed for the last 30 years.
Continue reading...from The Guardian https://ift.tt/2AGnoyu
