After his work on the Saw franchise, and a directorial triumph with Upgrade, the Australian genre artisan enters the dark universe of classic monster films
Late at night after a full 15-hour day shooting, Leigh Whannell is sitting in a plastic folding chair in the car park of Sydney’s Fox Studios looking contemplatively at sound stage two.
Nearly 20 years ago he was a struggling actor and aspiring filmmaker who had just received the phone call he thought was going to change his life.
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