The singer reflects on her career, from being a backing singer on the Bad tour to 2019’s Glastonbury
Sheryl Crow was never cool. A former high–school music teacher, she thigh-slapped her way into pop consciousness in 1993 with Tuesday Night Music Club, a collection of carefree, daytime drinking jams, and was almost immediately embraced by her heroes – the Eagles, Stevie Nicks, Johnny Cash.
But just like Fiona Apple, Jewel and the rest of the 90s female singer-songwriters stringing out bad-boyfriend anecdotes into angsty radio anthems, Crow never really felt part of the alt-rock scene. “I came up with Smashing Pumpkins, Beck, Hole, REM,” she recalls, delicately criss-crossed in a stiff armchair. “But I was totally shunned. I always felt like I was in no man’s land. I’d go to the Grammys” – for the record, she won three – “but I was never ‘in’ with the popular kids, do you know what I mean?”
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